Finally, Palestrina ends the motet with a very strong plagal cadence. 2
It is a simple polyphonic work in which most of the voices sing the same syllables on the same beats.
(-) - V/V/V - 6564×⇩ - RTM, Complete Score 3rd published: 1854 in Musica Divina Vol. 0.0/10 The idea of repetition is, however employed throughout the motet: The motet begins in duple meter, and changes to triple meter in bar 52 at the opening of the "Alleluia" section, and then changes back to duple meter at its closure for the beginning of the second big section of the piece. 0.0/10
Palestrina does not use a diatonic key, but freely employs accidentals.
2 The text has been set many times by numerous composers, such as Palestrina, Poulenc, Lauridsen, and Morales. *#258098 - 0.09MB, 1 pp. Unknown (2012). 0.0/10 4 2
*#258094 - 0.69MB, 7 pp. (-) - V/V/V - 309×⇩ - PML, Complete Score 2 The piece is intended to express the joy and awe that was felt by the shepherds as they celebrated and worshiped the Christ-child in the manger on Christmas Eve. Stevens, D.W. (2016). 8
Daniel Harmer (2011/11/24), Virtual Performance Dickey,T. *#489886 - 0.45MB, 6 pp. 6
4 *#498008 - 0.06MB, 4 pp.
(-) - !N*/!N*/!N* - 15087×⇩ - CEV, Complete Score 6
Instruments: A cappella. 10 Title Composer Victoria, Tomás Luis de: I-Catalogue Number I-Cat. 10
10 (-) - !N/!N/!N - 594×⇩ - Reccmo, PDF typeset by arranger 2
He wrote it as a response against the complaints. 6 10 - 8 8 2 4 *#498010 - 0.12MB, ?
10 “Palestrina: O magnum mysterium”. 4 Acciai, Giovanni (2017/10/9), Partitura completa 8 Reccmo (2017/10/25), Complete Score and Parts Agarvin (2017/8/22), Complete Parts 8 10 4 4 0.0/10 Melodically, Palestrina employs many syllabic unisons in this motet and not much imitation between the voices.
6 6 (-) - !N/!N/!N - 474×⇩ - Micah Walter, Bassus
*#509442 - 0.20MB, 9 pp. • Page visited 57,011 times • Powered by MediaWiki This page was last edited on 26 August 2020, at 21:56.
Palestrina scored this motet for an unaccompanied choir in six parts (SSAATB).
This can be seen in bar 141, in which quarter notes are used and sung in different variations as melismas. 10 Palestrina gives the idea of the tonal areas of the motet by starting with three different chords; e minor, a minor and in d minor. 6 6 2 0.0/10 - 2
8 (-) - !N/!N/!N - 130×⇩ - Reccmo, ZIP typeset by arranger Original text and translations may be found at O magnum mysterium. - 2 Montréal: Les Éditions Outremontaises, 2013. 8 4
4 DianaHein519 (2018/1/18), Complete Scores and Parts (original, G Dorian) 8
- 1572 in Motecta, Libro 1 (No.5) Librettist Liturgical Language Latin Dedication In Circumcisione Domini Average Duration Avg. - - 4
- 4 6 2 It was published in 1569 in Rome and formed a part of a collection of motets for five-, six- and seven voices, known as his Liber Primus Motettorum. 2 (-) - !N/!N/!N - 9814×⇩ - Ivdruiz, PDF typeset by editor
4 Micah Walter (2012/11/10), ⇒ 5 more: Cantus • Altus • Tenor • Bassus • Piano reduction, transposed up one step, Cantus *#498011 - 2.77MB - 3:02 - 4 Palestrina used the first half of the third and fourth Responsories of the Matins on Christmas Day. 4
0.0/10 (-) - !N/!N/!N - 298×⇩ - Daniel Harmer, ZIP typeset by arranger
10 6 0.0/10
0.0/10 *#250580 - 0.05MB, 5 pp.
*#498045 - 0.13MB, 16 pp.
He furthered the bounds of complexity by writing his choral compositions for six parts, and yet he made the Catholic liturgical music less complex by using fewer melismas and letting the voices sing the same syllables at the same time. (-) - !N/!N/!N - 4707×⇩ - Micah Walter, PDF typeset by editor 8 0.0/10
- is a true transcription of Morten Lauridsenʼs original choral composition. 0.0/10
*#258095 - 0.11MB, 1 pp.
6 (-) - !N*/!N*/!N* - 15087×⇩ - Hopper, Complete Score 10 *#498044 - 0.14MB, 10 pp. 8 (-) - !N/!N/!N - 227×⇩ - Michrond, ZIP typeset by arranger
5 Palestrina does not use a diatonic key, but freely employs accidentals. Reccmo (2017/10/25), Complete Parts (-) - !N/!N/!N - 1841×⇩ - Agarvin, PDF typeset by editor - 6 4 10
pp. 4 - (2016). 10 - ITV 101 Key G Dorian mode First Pub lication. He explained how, on the word “Virgo,” which means Virgin in Latin, the alto’s sing a dissonant G-sharp appoggiatura, the only note not of the tonic in the whole piece. 10 6 10 4
In bar 8, it changes to D Mixolydian and there is another Phrygian cadence in bar 11.
6 (-) - !N/!N/!N - 244×⇩ - Michrond, PDF typeset by arranger 8
Bars 1 to 3 are in E Mixolydian, and in bar 4 it changes to the Phrygian mode before ending with a Phrygian cadence (a form of the "imperfect" cadence) in D (bar 7).
6 10 (-) - !N/!N/!N - 307×⇩ - MID - Michrond, MID file (audio/video) 10 10 Afolop (2011/10/15), Engraving files (Personal composer) 4
Live Recording of O magnum mysterium (The Choir of Somerville College, Oxford; David Crown, conductor) Original text and translations.
“Giovanni Pierluigi da Palestrina”. - - 8 Stiltoncracker (2017/9/9), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License - -
*#489887 - 0.02MB, ? 0.0/10 All of this creates a piece which feels crisp and clear, reflecting the holy idea of the birth of Jesus depicted in the text. 0.0/10 8 4 (-) - !N/!N/!N - 217×⇩ - MP3 - Reccmo, Synthesized file 8
8 O great mystery and wonderful sacrament.
0.0/10 *#498043 - 0.21MB, 10 pp.
0.0/10 (-) - !N/!N/!N - 6640×⇩ - editor, Complete score (mensural notation with piano reduction) 4 https://www.cpdl.org/wiki/index.php?title=O_magnum_mysterium_(Tomás_Luis_de_Victoria)&oldid=1184750, Tomás Luis de Victoria Research Center editions. *#280150 - 0.32MB, 2 pp.
At these cadence points, it can be seen that one voice remains a lead through to the other side of the cadence, while the others resolve cadentially, creating a movement through the cadence, and diminishing stagnation of the piece at cadence points.
O magnum mysterium is a responsorial chant from the Matins of Christmas. (-) - !N/!N/!N - 237×⇩ - Reccmo, Engraving files (MuseScore, MusicXML, Shell script) 10
8 *#19716 - 0.12MB, 3 pp. (-) - !N/!N/!N - 688×⇩ - Agarvin, Engraving files (Lilypond) 4 4 *#280360 - 0.12MB, 4 pp.
2nd published: 1622 in Promptuarii musici concentus ecclesiasticos, Pars Prima, no. 0.0/10 - *#280461 - 0.01MB - 2:46 -
*#19716 - 0.12MB, 3 pp. This page was last edited on 24 September 2020, at 20:16.
6 4 10 8 6 (-) - !N/!N/!N - 215×⇩ - MID - Keanur, Complete Score (color) 6 4
2 - - An example of this can be seen in the repetition of “ut animalia viderent Dominum”. 6 - 2
Composer: Tomás Luis de Victoria, Number of voices: 4vv Voicings: SATB or ATTB SATB recorders, Scores in regular and alto notation, Tr T T B viols (tenors in alto and octave treble clefs). 8 0.0/10 It was specially chosen as a celebration of the birth of Jesus Christ from the Virgin Mary and to illustrate God’s grace and mercy to sinners. 4 *#156047 - 0.01MB - 3 min. There is therefore a clarity of text and diction impossible in imitative counterpoint. 4
(-) - !N/!N/!N - 825×⇩ - MID - Daniel Harmer, MID file (audio/video)
Genre: Sacred, Motet, Magnificat antiphon for Christmas Day, Language: Latin (-) - !N/!N/!N - 711×⇩ - Stiltoncracker, PDF typeset by arranger (-) - !N/!N/!N - 108×⇩ - Afolop, ZIP typeset by arranger (-) - !N/!N/!N - 431×⇩ - Micah Walter, Tenor
O magnum mysterium is a six-part motet by Giovanni Pierluigi da Palestrina, based on the responsorial chant of the same name, and was written for the celebration of Christmas. 6
(-) - !N/!N/!N - 196×⇩ - Afolop, PDF typeset by arranger
*#63649 - 5.18MB, 5 pp. The voices sing the phrase independently in syllabic unison, emphasising their importance through repetition. 0.0/10 Description: Original text and translations may be found at O magnum mysterium. 2 10
(-) - !N/!N/!N - 327×⇩ - DianaHein519, PDF typeset by arranger (-) - !N/!N/!N - 1014×⇩ - Acciai, Giovanni, PDF typeset by editor
8 Daniel Harmer (2012/2/15), Complete Score and Parts
While the motet is broadly set in the mode of A Aeolian, this composition can be considered “freely-composed” and is very harmonic in writing style. 2 0.0/10 (-) - V/V/V - 6725×⇩ - RTM, Complete score (monochrome) 6 No. Quem vidistis pastores / Dicite, quidnam vidistis? 2 *#63573 - 8.85MB, 5 pp. 2 10 pp. The text of O magnum mysterium, in all its settings, is the same. *#235104 - 0.31MB, ? -
*#492277 - 0.06MB, 2 pp. (-) - !N/!N/!N - 896×⇩ - Micah Walter, Altus 8
*#258097 - 0.11MB, 1 pp. 8 O Magnum Mysterium .
*#206443 - 0.01MB, ? 4 2 10 *#496011 - 0.86MB, 6 pp.
2 The text is in Latin and refers to the Bible's story of Christ in the manger.
Palestrina took the text for this piece from the first half of the third and fourth Responsories of Matins on Christmas Day.
Salve Regina / Ad te / Et Jesum / O clemens, Salve Regina I / Ad te / Et Jesum / O pia, http://imslp.org/index.php?title=O_magnum_mysterium_(Victoria,_Tom%C3%A1s_Luis_de)&oldid=2959812, Works first published in the 16th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License. Palestrina gives the idea of the tonal areas of the motet by starting with three different chords; e minor, a minor and in d minor. 0.0/10 First published: 1572 in Motecta I (Tomás Luis de Victoria), no. 0.0/10 2 0.0/10
(-) - !N/!N/!N - 274×⇩ - Daniel Harmer, PDF typeset by arranger 0.0/10 Title: O magnum mysterium
2 - (-) - V/V/V - 7780×⇩ - RTM, Complete Score Palestrina wrote it for Christmas to express the joy and awe of the shepherds as they celebrated Christ’s birth.
*#498042 - 0.20MB, 10 pp.
*#489885 - 0.09MB, 3 pp. 6 *#179140 - 0.14MB, ? *#258096 - 0.12MB, 1 pp.
- 2 II (Carl Proske), p. 13 (-) - !N*/!N*/!N* - 15087×⇩ - CEV, Complete Score
Agarvin (2017/8/22), Complete score
Palestrina does, however, make use melodic and rhythmic motives in this motet, and uses word painting to exhibit the lyrics.
Duration: 4 minutes Composer Time Period Comp. 6 10 10
Synthesized Performance 0.0/10 2 *#235105 - 0.01MB - 2:16 - (-) - !N/!N/!N - 181×⇩ - Daniel Harmer, Engraving File (Finale) 4th published: 1977 in The Chester Book of Motets, Book 3, no. 0.0/10 2 10 2 *#107866 - 0.58MB, 3 pp. 2 10 Modern clefs, transposed a whole tone higher than original. 2
O magnum mysterium Alt ernative. 10 "Giovanni Pierluigi Da Palestrina". 0.0/10 4 4 Palestrina wrote this motet during times when complaints were being made about the plainness of religious works. Ivdruiz (2012/9/14), Complete Score 8 10 4
This is done to focus attention on the importance of the symbolism behind the Virgin Mary and her part in the birth of the Saviour. 8 Michrond (2012/6/16), Engraving files (Finale)
6 Michrond (2012/6/16), Synthesized Performance 0.0/10 The only signiﬁcant difference between the two pieces is the choice of key. 10
Michrond (2012/6/16), Complete Score and Parts 4 10 pp. 0.0/10 2
O magnum mysterium is a six-voice motet in the Aeolian mode in two musical parts. 8 4 As a result, there is not much dissonance in the work, and that which does occur is normally due to enharmonic notes in a syllabic melisma. 10
8 - 4
8 Palestrina makes use of scale patterns and variations, which are common in his other works.
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